…Of course we worked with the method of improvisation, which forces us to generate extraordinary energy on the verge of risk and to keep ourselves in the state of constant readiness for simultaneous reception of a multitude of stimuli: external information imprinting on us and those proprioceptive – kinesthetic, visceral, organismal.

However, the most important thing on our way turns out to be contact with the audience, because art, dance, performance is nothing else but the need to communicate, non-verbal communication, dialogue with another human being. It is only at the end of the performance that the proper part of it begins – its completion. Our greatest desire is, therefore, above all, to invite the viewer to a common meandering journey through the labyrinth of his or her own self… where will we go on this journey? as many travelers as answers…